With performances described as “triumphant” (Tulsa World) and “galvanizing” (New York Classical Review), James Bagwell maintains an active schedule as a conductor of choral, orchestral, and opera repertoire.

From 2009-2015 he served as music director of The Collegiate Chorale. Highlights with the Chorale included conducting rarely performed operas at Carnegie Hall, including Bellini’s Beatrice di Tenda, Rossini’s Möise et Pharaon, and Boito’s Mefistofele. He conducted the New York premiere of Philip Glass’s Toltec Symphony and Osvaldo Golijov’s Oceana at Carnegie Hall. His performance of Kurt Weill’s Knickerbocker Holiday at Alice Tully Hall was recorded live for Gaslight Records and is the only complete recording of the work. Bagwell prepared the Chorale for numerous concerts at the Verbier Festival in Switzerland and for programs with the Israel Philharmonic in Israel and the Salzburg Festival. Other performances include Glass’s Another Look at Harmony at the Park Avenue Armory and Poulenc’s Gloria at St. Bartholomew’s Church in New York. From 2005-2010 he was music director of The Dessoff Choirs in New York, who under his leadership made numerous appearances at Carnegie Hall in addition to their regular season.

A noted preparer of choruses, Bagwell prepared The Concert Chorale of New York for performances of Bernstein’s Kaddish Symphony for the New York Philharmonic and Brahms’s Ein Deutsches Requiem for Jaap Van Zweden’s inaugural season as the Philharmonic’s music director in 2019; this was followed in 2020 when he prepared Mozart’s C-minor Mass for the Philharmonic. Beginning in 2005, he regularly collaborated with the Mostly Mozart Festival with several performances broadcast nationally on Live from Lincoln Center. In 2018 and 2019, he prepared performances for the Los Angeles Philharmonic, and several concerts for Mostly Mozart, including Bernstein’s Mass—all in David Geffen Hall at Lincoln Center. As chorus master for The American Symphony Orchestra, he received accolades for his work on Luigi Nono’s Intolleranza at Carnegie Hall.

Bagwell has trained choruses for other American and international orchestras, including the Boston Symphony Orchestra, San Francisco Symphony, NHK Symphony (Japan), St. Petersburg Symphony, Budapest Festival Orchestra, Cincinnati Pops Orchestra, and Indianapolis Symphony Orchestra. He has worked with such noted conductors as Gustavo Dudamel, Charles Dutoit, Andris Nelsons, Alan Gilbert, Gianandrea Noseda, Valery Gergiev, Yannik Nézet-Séguin, Zubin Mehta, Riccardo Muti, Lorin Maazel, Esa-Pekka Salonen, Michael Tilson Thomas, Louis Langrée, Leonard Slatkin, Leon Botstein, Ivan Fischer, Vladimir Ashkenazy, Raymond Leppard, James Conlon, Jesús López-Cobos, Erich Kunzel, Leon Fleischer, and Robert Shaw. Since 2003 he has been director of choruses for the Bard Music Festival, conducting and preparing choral works during the summer festival at The Richard B. Fisher Center for the Performing Arts at Bard College. Upcoming collaborations include preparing the Bard Festival Chorale for a performance of Bernstein’s Kaddish Symphony with The Orchestra of St. Luke’s at Carnegie Hall.

In 2015 Bagwell was named associate conductor of The Orchestra Now (TON), and in 2009 he was appointed principal guest conductor of the American Symphony Orchestra. He has led both ensembles in concerts at Carnegie Hall and Lincoln Center.

Bagwell is a regular guest conductor for the Tulsa Symphony, leading it in performances of Mozart’s Requiem and Brahms’s Ein deutsches Requiem, Britten’s War Requiem, and Mahler’s First Symphony. In 2025 he returns for a rare performance of Carl Nielson’s The Inextinguishable. In previous seasons he conducted the Amici New York Orchestra at the OK Mozart Festival, and in December 2014 made his second appearance with the Cincinnati Symphony Orchestra in a highly acclaimed performance of Messiah. He frequently appears as guest conductor for orchestras around the country and abroad, including the Indianapolis Chamber Orchestra. the Interlochen Music Festival, and the Jerusalem Symphony.

Bagwell has collaborated with singer and composer Natalie Merchant since 2011, conducting such notable orchestras as the San Francisco, Seattle, Phoenix, Nashville, Atlanta and Rhode Island Symphonies, as well as the National Symphony Orchestra at the Kennedy Center.

As music director of Light Opera Oklahoma, Bagwell conducted numerous productions, notably Die Fledermaus, Sweeney Todd, and The Merry Widow. He also led notable performances for other companies, including Copland's The Tender Land at Bard SummerScape, which received acclaim from The New York Times, The New Yorker, and Opera News. Additionally, Bagwell conducted productions such as Little Opera Theatre of New York's staging of Rossini's Opportunity Makes the Thief, Teatro Grattacielo’s L'amico Fritz in New York, and recent interpretations of The Cunning Little Vixen, Candide, and Iolanthe.

James Bagwell holds degrees from Birmingham-Southern College, Florida State University, and Indiana University. He is Professor of Music and music program director at Bard College, and Director of Performance Studies in the Bard College Conservatory of Music. He serves as Co-Director of the Bard Conservatory Graduate Program in Conducting.